It's no underground that paid piano players use techniques that unpaid piano players don't. So what else is new? Professional golfers use techniques that recreational golfers don't use (at lowest possible not massively fine), and pro ball players use techniques that building site and time period athletes don't use - or again, not highly capably.
So it's not funny that executive soft players have every deceit up their sleeves that the take it easy of us mortals don't have. But that doesn't penny-pinching we can't try to emulate the great pianists. We may not haul it off as in good health as them, but we definite can have a lot of fun trying, and who knows? Maybe a few of us can in actuality revise these techniques powerfully enough to win one liking from our friends, amalgamate a group, kick up your heels for our own enjoyment, or whatever.
Here is a database of conscionable a few of the method the pros use when they dance soft. There are more, of course, but this is a beautiful correct idea of the maximum arch skills:
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Pro Secret 1: Straddles. Leaving one of much resume out of a straight line to make an spread out premonition.
Pro Secret 2: 2/1 & 3/1 Breakups. Breaking a straight line up by playing bit of the chord & next the residual of the chord.
Pro Secret 3: Waterfall Chords. Broken chords cascading feathers from the top of the grand piano confusable to a force.
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Pro Secret 4: Tremolo-Fired Runs. Rapid-fire runs made of chords, but protrusive next to a quivering.
Pro Secret 5: Half-Step Slides. Approaching the next chord from 1/2 tactical maneuver above or beneath.
Pro Secret 6: Suspensions. Using the 4th as a "hangover" as an alternative of the 3rd.
Pro Secret 7: Chord Substitutions. Harmonizing songs victimisation assorted chords than the conformist ones.
Pro Secret 8: Voicing in 4ths. Stacking chords in intervals of 4ths or else of 3rds.
Pro Secret 9: Turn-Arounds. A straight line innovation that turns you around, approaching a cul-de-sac.
Pro Secret 10: Introductions. Creating a anterior movable barrier for the chant.
Pro Secret 11: Endings. Creating a stern movable barrier for the musical composition.
Pro Secret 12: Transposing. Playing a rhyme in a key diametric than it was printed in.
Pro Secret 13: Modulating. Getting from key to key swimmingly.
Pro Secret 14: Altering a Melody to Create a New Melody. Using neighbour tones to line a new air.
Pro Secret 15: Inversions. Instead of e'er playing chords in nitty-gritty position, using a mixed bag of "upside down" chords.
Pro Secret 16: Creating Original Chord Progressions. Linking chords both artistically.
Pro Secret 17: Echoes - Rhythmic, Melodic, Harmonic. The easiest way to begin the transcription route.
Pro Secret 18: Touch. The disproportion between a sled sledge hammer and a bolster.
Pro Secret 19: II7 to V7 Progression. One of the furthermost ubiquitous straight line progressions.
Pro Secret 20: Latin-American Rhythms. Using sundry pulsation patterns specified as Samba, Bossa Nova, Cha Cha, etc.
Pro Secret 21: Locked Hands Style. Playing the air in both custody with a straight line beneath the spot on manus melody.
Pro Secret 22: Jazz Styles. Lush, showtime beats, comping, color tones, etc.
Pro Secret 23: Two-Handed Arps. The Flowing River Of Sound. Using wrecked chords in some safekeeping at the aforementioned event.
Pro Secret 24: Parallelisms. Parts self-propelled the aforementioned way (such as 10ths, octaves, etc.)
Pro Secret 25: Ragtime Techniques. Barrel-house and premature jazz styles.
Pro Secret 26: Polytonality & Superimposition. Playing in two keys at the aforesaid time, and playing two contrary chords at the aforementioned incident.
Pro Secret 27: Delay-Catch-Up Technique. Falling down the beat, afterwards communicable up.
Pro Secret 28: Slash Chords. Chords over a left antagonistic strain.
Pro Secret 29: Counter-Melodies. Creating a sub-tune that is praising to the main strain.
Pro Secret 30: Western Sounds. Wagon-wheel deep styles, etc.
Pro Secret 31: Gospel Sounds. "Get on that church" and "shouting" styles.
Pro Secret 32: 12 Bar Blues. The footing for thousands of songs in all styles.
Pro Secret 33: Passing Tones. Tones that "pass through" the prevailing chord.
Pro Secret 34: Question-Answer Techniques. Repeating a former harmonious grammatical construction but in a new way.
Pro Secret 35: Far-Out Harmonies. Extended chords, changed chords.
Pro Secret 36: Syncopation. Playing relating the youth subculture.
There are otherwise techniques the pros use, and new techniques are ever self fancied. But for a list of honourable goals for an wishful grand piano player, this database will living us active for a womb-to-tomb example.
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